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Nrityadhara – Dwitya Celebrates the Timeless Beauty of Bharatanatyam

A Grand Evening of Classical Dance and Spiritual Expression at the LTG Auditorium.

Nrityadhara – Dwitya Celebrates the Timeless Beauty of Bharatanatyam

Aayam Institute of Performing Arts hosted the second edition of Nrityadhara – Dwitya at the Little Theatre Group (LTG) Auditorium, celebrating the journey of Bharatanatyam from a learner’s first steps to mastery. Choreographed by Guru Sindhu Mishra, the evening honoured the elegance and devotional essence of the classical dance form.

Pushpanjali and Dhyaan Shlokam

The performances, rooted in the traditional bani of Guru KN Dandayudhapani Pillai, showcased the intricate blend of nritta (pure dance), bhava (expression), and tala (rhythm). The event opened with Pushpanjali, followed by a reverential Dhyaan Shlokam to Lord Shiva composed by Sudha Raghuraman.

Shivashtakam: The Grandeur of Lord Shiva

The next performance, Shivashtakam, a composition by Adi Shankaracharya set to Raagam Bhupali and Talam Khand Chaapu, vividly portrays the grandeur of Lord Shiva. He is depicted as the mighty destroyer of Asuras, the loving father of Ganesha, adorned with the moon and stars, and with his body smeared in sacred ash, embodying both cosmic power and ascetic serenity.

Ram Chandra

Ram Chandra was a captivating Bharatanatyam interpretation of the bhajan composed by Goswami Tulsidas, set to Raag Sindhu Bhairavi and Adi Taal.

Padam – Yaro Ivar Yaro

Another highlight was Padam – Yaro Ivar Yaro, an abhinaya piece that beautifully encapsulated Sita’s first encounter with Ram, drawing the audience into its emotional depth. The piece was set to Raag Bhairavi and Taal Adi, with composition by Arunachala Kavirayar.

Bho Shambho

The evening also featured Bho Shambho, composed by Swami Dayananda Saraswati and sung by G Elangovan, which celebrated Lord Shiva as the cosmic force of creation and dissolution. Set to Ragam Revati and Talam Adi, it captivated the audience with its spiritual depth.

Thillana

The evening came to a close with Thillana, a rhythmic piece by Poochi Sreenivaasa Aiyyangaar, praising Lord Shiva and Goddess Parvati. Set to Raagam Paras and Talam Adi, its intricate patterns and vibrant energy left the audience spellbound.

Nrityadhara – Dwitya

Nrityadhara – Dwitya was more than a dance recital; it was an immersive experience that showcased the richness and versatility of Bharatanatyam while honouring its deep-rooted traditions.

Speaking about the event, Guru Sindhu Mishra said, “Nrityadhara – Dwitya is a celebration of dedication, devotion, and the eternal beauty of Bharatanatyam. It has been heartening to witness the overwhelming response from the audience, whose appreciation reaffirms the timeless appeal of this classical art form. Through this journey from a learner’s first steps to mastery, we aim to preserve the rich traditions of Bharatanatyam while inspiring the next generation to carry its legacy forward.”

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Written by WSL Desk

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